The CLP team is excited to announce the addition of Trevor Power - Studio Manager and Producer. You can reach him directly here:
trevor {at} callielipkin {dot} com
New studio portraits
Spring is coming - time for some fresh, happy people. Thank you Planet Earth for sending over these friendly faces.
The Anti-Mancave - for WSJ
New work is live today for the WSJ story on the new breed of mancaves. We featured Tom Frattinger demonstrating his model train set in the room dedicated to this activity at his home.
Golub Capital
I think we can all agree - there is nothing better than working with a fantastic Creative Director. I have been fortunate enough to work with Harold Woodridge of The Monogram Group since early in my career, and I owe him an ocean of gratitude for taking a chance on me a decade ago, and pushing me creatively to this day. Since shooting this project, he has made the leap to form his own company and I am thrilled for him. These are live on the Golub Capital site now. A gallery of treasures from our NYC and Chicago shoots are coming in my next post.
New work for Harris Associates
See the gallery here.
Water Street
Big shout out to James Costello of Costello Communications for bringing me in on this project for Water Street Partners. I think my passion for this type of day in the life work really shines through here. I am loving some of these in black and white.
Prevention Magazine - Healthy Tweaks
This was a fun opportunity to illustrate a series of healthy ways you can tweak your day. Marilyn Martinez of Lily's Talent Agency played our hero and demonstrated everything from waking up in the morning to relaxing with 'her' dog at night. Special thanks to Jamie Bayer for offering her home as location, Lavi Toma for wardrobe, Lauren Frenden for grooming and Nathanael Filbert and Kevin Serna for Assisting. The magazine spreads are below.
Open For Breakfast - Motion
During our lifestyle library shoot for Kellogg's (see post here), we were able to capture some of our scenes in motion as well as still images. Here is a composite of what we shot. Special thanks to Nathanael Filbert for second camera shooting.